O c t o b e r  1 5 & 1 6,  6 p m
K a i s e r  W i l h e l m  G e d ä c h t n i s k i r c h e /
S t.  B a r t h o l o m ä u s k i r c h e

The Carl-von-Ossiet­z­ky Choir pres­ents a pro­gram dedi­ca­ted to the sen­se of delight and strength of music, com­bi­ning texts in Hebrew, Ger­man and Latin with the tonal lan­guage of com­po­sers from dif­fe­rent cen­tu­ries. A pro­gram all about diver­si­ty and open min­ded­ness, cen­te­ring Leo­nard Bern­steins “Chi­ches­ter psalms”. Read more…

O c t o b e r  1 3,  7 p m.
S a l o n  l ’ É c r i t o i r e  B e r l i n

Mär­chen­welt im Spie­gel: Anna Stein­kog­ler, harp // Valen­tin Butt, accor­di­on. Tickets…

For their cur­rent pro­gram, the two pas­sio­na­te musi­ci­ans let them­sel­ves be inspi­red by two gre­at sto­ry-tel­­lers and phil­an­thro­pists. Not only their works, but also their sen­se of humor, ear­nest­ness and their distas­te for being stuck in a pige­on hole is what attracts them to the com­po­ser Mau­rice Ravel and the wri­ter and mathe­ma­ti­ci­an Lewis Car­roll. And they both knew about the importance of blur­ring the lines…

O c t o b e r  8,  8 p m
H o t e l  A d l o n  K e m p i n s k i

Pri­va­te function.

O c t o b e r  6 / 7 / 9
N e u b r a n d e n b u r g
G ü s t r o w
N e u s t r e l i t z

The phil­har­mo­nic orches­tra of Neu­bran­den­burg is play­ing big orches­tral works by C.P.E. Bach, Robert Schu­mann (Chi Ho Han solo­ing at the pia­no) and Clau­de Debus­sy, under the baton of Dani­el Geiss. More…

S e p t e m p e r  1 6,  7. 3 0 p m
a c c o r d i o n  f e s t i v a l  T h e a t e r  a m  R a n d

Mär­chen­welt im Spie­gel: Anna Stein­kog­ler, harp // Valen­tin Butt, accor­di­on. Tickets…

For their cur­rent pro­gram, the two pas­sio­na­te musi­ci­ans let them­sel­ves be inspi­red by two gre­at sto­ry-tel­­lers and phil­an­thro­pists. Not only their works, but also their sen­se of humor, ear­nest­ness and their distas­te for being stuck in a pige­on hole is what attracts them to the com­po­ser Mau­rice Ravel and the wri­ter and mathe­ma­ti­ci­an Lewis Car­roll. And they both knew about the importance of blur­ring the lines…

S e p t e m b e r  1 2,  7 p m
M e r s e b u r g e r  D o m

Schütz and Fau­ré under the baton of Wolf­gang Kat­sch­ner during the 52nd edi­ti­on of the Mer­se­bur­ger Orgeltage.
With Capel­la Ange­li­ca, Laut­ten Com­pa­gney Ber­lin, Micha­el Schön­heit. Read more…

S e p t e m b e r  8, 7. 3 0 p m
B o l d  B e r l i n . c l u b

Con­tem­pra­ry music for sopra­no, bari­ton and harp. With Clau­dia Herr, Car­los Schmitz and Anna Stein­kog­ler. More…

S e p t e m b e r  2 / 3 / 4
K o n z e r t h a u s  B e r l i n

Play­ing with Kon­zert­haus­or­ches­ter gre­at sym­pho­nic clas­sics by Strauss, Webern and Korn­gold under the baton of Juraj Val­cu­ha. More…

A u g u s t  2 4,  9 p m
M u s e u m s i n s e l  K o l o n n a d e n h o f

Silent movie fes­ti­val pre­sen­ting Arnold Fancks’ “Der Berg des Schick­sal” from 1924. Open air and with live music by Flo­ri­an Reit­h­ner and Metro­po­lis Orches­tra Ber­lin. More…

J u l y  3,  8 p m
Z u m  G u t e n  H i r t e n  F r i e d e n a u

“Chi­ches­ter Psalms” BY Leo­nard Bernstein
“Mes­se solen­nel­le” BY Lou­is Vierne

Nei­ma Fischer, sopra­no // Anna Stein­kog­ler, harp // Danie See­ger, organ // Hau­ke Ren­kens, per­cus­sion // Frie­de­nau­er Kan­to­rei // KMD Tobi­as Brom­mann, conductor
Read more…